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Quote: # @RubenStuddard So i read today that you and @clayaiken are doing a spring/summer tour!!! HAS MY DREAM REALLY COME TRUE?!?!?!? =D about 3 hours ago from web

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Ruben responded
Quote: @JessieMcV123 well dreams are made to be answered.

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This was tweeted thirty minutes ago by AmeeS32"

WOW how awesome is that? @RubenStuddard and @clayaiken on the same stage once again!!!!! BRING ON 2010!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

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@AmeeS32..it's really awsome!!

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Decent video of DFFconcert and Recap by LOVEOMC 

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A decent video of the DF & Friends Event in San Jose, Nov 6, 2009, is available for D/L at - (we are lucky to have it, even if the video is not perfect)!!

http://clayaikentheidealidol.com/whatsnew.html

under Spotlight Videos - be sure to "save target as" to download. Clay sounds "FABULOUS", voice is strong & true, hits that falsetto note to "Perfection"!!! AWESOME, AS ALWAYS!!!!

Recap by LOVEOMC

Now that I've gotten a good night's sleep, I thought I'd come back and provide a recap of the concert. The show was really amazing overall. My take on Clay's performance is that it was a spur-of-the-moment idea, and since he and David had worked UM out before, they didn't really need rehearsal time, which I am certain they did not have. As for the clothing and Clay's need to borrow a blazer, Clay may not have traveled with dress clothes. I have no idea really, but the vibe I got is that the entire thing was impromptu.

Clay looked and sounded terrific. I'd been longing to hear the lower register voice that Clay uses so well (the voice on "Broken Wings," for example); we got it, and I was thrilled. The crowd loved it. I sat next to my friend's husband (she was sitting elsewhere--long story). After Clay's performance, he said, "Well, that was worth the price of the whole ticket!" And this is a guy who often rolls his eyes at his wife's "enthusiasm"!

As for David calling Clay his brother-in-law, my take is that David considers Clay family, and that pleases me no end.

Clay sounded tremendously better than he did at the gala. There was only one place where I could hear some strain, and he covered it pretty well. I was sitting there really tense, hoping for the best but worried. Well, he pulled it off. I much prefer the lower register myself, and when I listen to his older stuff, I mourn its loss on the last album. In fact, when I listen to ATDW, I typically skip the higher register stuff, such as "Sorry Seems to Be the Hardest Word." The beginning of that song, sung in falsetto, is just not my cuppa.

But last night, he sounded grand. That beautiful resonance was back, as was his control over it.

As for the gala, before I even heard him sing that night, I knew he would have trouble. He was staying in the same hotel I was, and the air was dehumidified to the point of intolerable. I lost my voice, so I knew he was going to have problems. That issue just didn't arise last night. The temperature in the Bay Area was mild, and for much of the day it was overcast. The humidity was just right for voice.

The dry air issue was a problem in Minneapolis for the two 2007 Christmas concerts, too. On the first night, Clay really strained, and I was upset that I had spent all that time and money going there to get a subpar performance. However, by the second night, his voice had acclimatized and he was simply superb. I was a happy camper once again.

A voice is part of the human body, and therefore subject to all its frailties. Age is no friend to it, I can tell ya that. Two of the older singers at the concert last night had some issues. Phillip Bailey, of Earth, Wind, and Fire fame, opened the show, and he really struggled with his falsetto. When he sang in a lower register he was fine. Peter Cetera, formerly of Chicago, also had some issues. He ended up sounding okay because he is a pro and knows how to cover, but watching him on the jumbotron was difficult; Clay's facial gestures are nothing compared to Peter's, which are quite grotesque.

Ruben sounded wonderful, btw. He, too, has two voices, one of which I like, the other, not so much. The higher voice is what I would call a "head voice," and it sounds thin and false to me, especially coming from a man his size (honestly, I could have set up camp inside his suit! lol). The lower voice, what I would call a "chest voice," is just sublime, and he sang quite a bit in this register, and his performance was wonderful. David said that Ruben could make a song out of anything and have it sound good, so he asked an audience member for a line. One guy came up with "I love Erica," and Ruben constructed an impromptu song out of it (with David accompanying him on piano), and it was fantastic. They might have had a melody worked out--I'm not sure they could have worked together so well from nothing, but suffice it to say that it was a wonderful display of Ruben's musicianship. I just hope Rube stays with that lower register more--it's what made him a standout on AI.

Charyce (sp??) was remarkable. She is very young (17) and really tiny. Physically, she reminds me of Allison Ireheta from this past season¡Çs American Idol. Her voice has power and range so great that only Whitney, Mariah, and Celine--in their prime but not now--could match.

She leaves one wondering, "Where does that voice come from?"

Hmm. When have we heard that before? ;)

Oh, I forgot to add that there was group of 4 men called "The Canadian Tenors" that just tore up (in a good way) Leonard Cohen's "Halleluiah." I got chills listening to it, so I'm going to go see if they have recorded that song.

ETA: This post may travel.

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